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Taking a Break
Taking a Break
banmorn


Photograph Information Photographer's Comments
Challenge: Where's Waldo? V (Basic Editing)
Camera: Nikon D200
Lens: Sigma 18-200mm f/3.5-6.3 DC OS for Nikon
Location: Philadelphia, PA
Date: Sep 12, 2011
Aperture: f/ 11
ISO: 160
Shutter: 1/60 sec.
Galleries: Candid, Architecture
Date Uploaded: Sep 13, 2011

 Though he might be waiting for an eleavator. This building was Wills Eye Hospital but I think it is part of Jefferson now. They scooped everything else up and are building more.
Later.

Statistics
Place: 45 out of 108
Avg (all users): 5.8397
Avg (commenters): 7.1667
Avg (participants): 5.7250
Avg (non-participants): 5.8793
Views since voting: 592
Views during voting: 371
Votes: 156
Comments: 7
Favorites: 0

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AuthorThread
 Comments Made During the Challenge
Sony SLT-A33
Sony DT 18-200mm f/3.5-6.3 Aspherical ED
 09/17/2011 08:32:45 AM
Nice lines. I see Waldo.
  Photographer found comment helpful.
Nikon D90
Nikon AF-S Zoom-Nikkor 24-120mm f/3.5-5.6G IF-ED VR
 09/17/2011 02:57:39 AM
Kwel!!!!
  Photographer found comment helpful.
Canon EOS-5D Mark II
Canon EF 70-200mm f/2.8 L IS USM II
09/15/2011 01:02:08 AM
I like this one, but I think I would have tried to use a polarizer and remove some of the reflections, but that is easy to say from this view, lol. Nice one.
  Photographer found comment helpful.
Nikon D7100
Nikon AF-S DX NIKKOR 18-200mm f/3.5-5.6G ED VR II
 09/14/2011 10:15:17 PM
Third window up on left, probably about to call cops on the stalker ;-)
  Photographer found comment helpful.
Canon EOS-5D Mark III
Canon EF 17-40mm f/4.0 L USM
 09/14/2011 05:54:27 PM
I can see Waldo.
  Photographer found comment helpful.
Canon EOS-80D
Canon EF 17-40mm f/4.0 L USM
 09/14/2011 09:53:19 AM
good shadows and subtle blues.
  Photographer found comment helpful.
Nikon D700
Sigma 12-24mm f/4.5-5.6 EX Aspherical DG HSM for Nikon
 09/14/2011 04:42:20 AM
Nice lines. Well spotted.

Playing devil's advocate, maybe a square crop of the top half would have been more powerful, as the downward arcing lines draw the eyes down through the image to where they meet the glass wall, and then down to the bottom of the frame. If it were a square crop, all that motion would lead the viewer right to your Waldo.

Or maybe that's not good, as Waldo's supposed to be hidden. I don't know. I just know there's some powerful movement in this composition. Cool.
  Photographer found comment helpful.
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