for SC a composite of six pinhole photos, all taken while standing in one spot.
Ended up "busier" than I like, but I think the colors give it a redeeming quality.
someday i want to take this picture... or one of them. agree with the Turneresquity - bet you like Millet too, and not just for dinner. brilliant concoction.
Not quite sure why but this reminds me of the painting of George Washington crossing the Delaware. They are not that similar but there is something about it that clicked to me, maybe the tones in both are what made the connection for me. Either way this is a stunning montage of shots, excellent job!
This technique is probably closer to painting than photography.
Yes it is. And the result looks like a Turner painting. It has that wonderful indolent texture that he had, like an Arcadian tapestry done by an angel in a dream. The light is especially Turneresque. It's lovely.
I wonder if this toes the line with regards to the Advanced editing rules for 1-10 exposures?
Karen, this wouldn't be legal anywhere at DPC, except here. Although I stood in one spot to take all the photos, I completely rearranged their relative positions in PS. The castle, for example, was originally behind me when facing the lake. This technique is probably closer to painting than photography.
Ah, I see - I thought when you said you took it in the same spot, you had used the same framing for each shot - that the changes we see in the resulting combination is due to time passage, like movement of clouds, etc.
I wonder if this toes the line with regards to the Advanced editing rules for 1-10 exposures?
Karen, this wouldn't be legal anywhere at DPC, except here. Although I stood in one spot to take all the photos, I completely rearranged their relative positions in PS. The castle, for example, was originally behind me when facing the lake. This technique is probably closer to painting than photography.
I wonder if this toes the line with regards to the Advanced editing rules for 1-10 exposures? It seems like it would...the only thing that maybe would be a problem would be the "move or change a feature between frames" aspect, where with long pinhole exposures something major might change over the course of taking the exposures - unless the not-allowable move would be only a move that the photographer instigated (for instance, if the boat floated to a different area of the shot on its own that would be ok, as opposed to you deliberately moving it to another area?) I seem to remember some thread about a multiple-exposure DQ concerning a moving swan in the past... Huh. Lots of possibilities here, with this technique.
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