I opened all four in the series and flicked back and forth looking for ... something. The one I liked best, I suppose, although what that would prove I really don't know. This one's the most engaging for me (at least for today), probably because it's the most complex. But there is no 'best'.
The fact that they are looking in different directions here suggests different agenda, and thus different points of view. One sees unaided, one uses a camera. One walks unaided, the other not. So it seems right that they appear as one audience viewing two separate plays.
The man in the mobility chair looks upward, and the stairs explain it (and maybe mock him as well). But he doesn't look dismayed.
The man with the camera crouches and contorts himself a little (seen in 101 & 104 as well), and gives the impression that he needs to focus his body as well as his lens to get what he wants. I've seen others do that. I wonder if I do it?
Nice series. Seems like street theatre. |
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