Author Thread
02/28/2008 12:40:10 PMPost actions
Love the lighting. Love this series.
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Comments Made During the Challenge
02/26/2008 06:42:10 PMPost actions
Great model and background contrast.
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02/25/2008 10:12:27 PMPost actions
Provocative and edgy. Nicely done. Love the hotspot behind the model. Good job.
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02/25/2008 08:38:57 PMPost actions
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02/25/2008 06:18:14 PMPost actions
great leading lines
8
Jack
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02/23/2008 06:44:42 PMPost actions
Nice textures hard and soft The brick lines work well. Wish there was more light on the models face
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02/23/2008 11:46:13 AMPost actions
The most prominent leading lines in this one are leading to her butt. Was that intentional? I think that takes away from the sexiness somewhat, and makes it on the comedic side.
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02/23/2008 01:38:30 AMPost actions
Um what is leading my eye to the subject?
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02/22/2008 07:56:35 PMPost actions
Lovely model, I like the shadow cast by her butt. Would like foreground to be just a tad brighter
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02/22/2008 01:41:32 PMPost actions
02/21/2008 02:51:02 PMPost actions
nice idea, but i feel like the shadow blends with the body making it harder to focus just on the model
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02/21/2008 12:18:15 PMPost actions
Dramatic lighting. A very different interpretation of leading lines compared to others!
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02/21/2008 10:58:49 AMPost actions
Overall, I like this shot, and I think it is fairly well done -- compositionally and technically. My biggest "distraction" if you will is the peacock tail she seems to have. The shadow cast on the wall begins at her butt and then spreads across the wall. While it in itself is a leading line contributer, it is extremely distracting to me because it looks like a big tail.
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02/21/2008 03:58:05 AMPost actions
Hmmm...clever use of light and shadow.
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02/20/2008 06:20:49 PMPost actions
I dont really like the light, plus I dont feel that it fits the challenge.
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02/20/2008 02:51:46 PMPost actions
What she's got on seems way too small for her. Anyway, nice idea and shot.
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02/20/2008 10:26:11 AMPost actions
the shadow leading from her rear is pretty distracting.
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