The sunllgiht is too bright, there are places that are too bright, and places that are in deep shadow. You should also position the subject so its not directly in the middle, should help with composition.
Interesting trick - to have found ameans of communicating that texture pof the concrete, and the shape of the fleur-de-lys without any seeming variation in the brigher areas of the stone, just by shadow. Other than the bang-centre placing of the device. I rather like this. Perhaps fractioanlly heavy on the contrast - or rather perhaps fractionally too intensely direct a light to have chosen, but pretty good nevertheless.