This is how I wanted my multiple source entry to look like...
Used 16-32-16 bit tone mapping in CS2 and then reopened the original and placed the tone mapped version on top set to lighten and faded abit. Cloned out some fuzzy people in fron of the alter and a cable in the rafters. A few curves burned highlights in the left windows and and shadows/highlight layer, selective color and some free transform to straighten out.
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Somtimes I don't like shots like this, with perfect composition... but this time, the composition is SO precise that it's become like a study in symetry - I love it!
Right then, joke's on me as I now have to plough through 564 images and bump them all (yes, all of them) up. There'll be a third run through for fine tuning. It's day two now and I'm running late, sorry.
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