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Challenge Entries
Long Exposure II
Advanced Editing IV
164th
166th
Portfolio Images
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in the Kitchen was a Coy Haunting
klstover
Photograph Information
Photographer's Comments
Challenge:
Long Exposure II
(
Advanced Editing IV
)
Camera:
Konica Minolta DiMAGE Z10
Location:
Richmond, Virginia
Date:
Oct 30, 2006
Aperture:
f/3.2
ISO:
100
Shutter:
8 sec
Galleries:
Emotive
,
Self Portrait
Date Uploaded:
Nov 4, 2006
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auto levels
crop
levels
hue/sat
crop
Neat Image
resize
auto levels / levels
sat
- outtake
- diptych from both, with additional editing (selective color)
Statistics
Place:
165 out of 239
Avg (all users):
5.0751
Avg (commenters):
5.3333
Avg (participants):
4.8889
Avg (non-participants):
5.2391
Views since voting:
996
Views during voting:
427
Votes:
173
Comments:
6
Favorites:
0
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Author
Thread
levyj413
Apple iPhone 15 Pro Max
Tamron SP AF 17-50mm f/2.8 Di II LD Aspherical (IF) for Nikon
02/14/2007 12:58:34 PM
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This could be a new profile pic. :) I like the setting and your expression! It probably got hurt in voting by the color and the brightness on the right.
Photographer found comment helpful.
chele
11/15/2006 11:55:01 AM
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this was a tough challenge, you did good here!
Photographer found comment helpful.
Comments Made During the Challenge
posthumous
Canon EOS-40D
Canon EF 50mm f/1.8 II
11/10/2006 11:24:40 PM
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eye candy just isn't scary! But I'll give you a 7 for the LOL factor.
Photographer found comment helpful.
rosiehall
Nikon D80
Sigma 50-500mm f/4.0-6.3 EX APO RF HSM for Nikon
11/08/2006 06:44:53 PM
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great shot well captured
Photographer found comment helpful.
RulerZigzag
Nikon D750
Nikon AF-S Nikkor 200-500mm f/5.6E ED VR
11/08/2006 02:57:31 AM
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hot ghost ! I wouldnt complain or call in the poltergeist hunters. Nice job with a technically difficult shot.
Photographer found comment helpful.
dallasdux
Pentax *ist DL
Tamron AF 28-200mm f/3.8-5.6 Aspherical XR IF Super Zoom for Pentax
11/07/2006 09:57:44 AM
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The lighting around the window is very blown out. Nice concept/composition. 5.
Photographer found comment helpful.
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