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This is a hard one for me to call. It's a very powerful composition, but I feel that the the rendering of the tonal values is not all it could be; I feel as if there's a sense of luminosity that's not quite breaking through. If I were working on it, I's be double-contrast-masking the darker zones, first with screen mode and then a second pass with soft light or hard light mode. This will bring contrast into the darker zones without blocking up the darkest parts so badly. |