Love the feel of this shot and the high contrast duotone, this just looks great and I can see this as an advertisement poster for something. One of my top picks. 10
Very well done. Might try for a more natural appearance outside the window to set off the un-natural (but appropriate) tone throughout the rest of the image.
I don't know why, but the first thing I thought when I saw this was that it should be a blueish tone to match the title instead of a yellow-greenish tone as you have here. Maybe try it and see if it changes the mood of the shot... Great compostion and the soft focus on the model works perfectly.
TC
Like this - the lighting and tones are excellent. The DOF and POV are great. Frame a little thick for my tastes. Composition and crop well done. 9 - Good luck in the challenge!
something is strange for me about this picture.
I just can not make up my mind as for what you were trying to show.
The pose shows discomfort. maybe regret. The tones work with that.
But the very harsh light is not, and nor do the smoothness of the pic.
I think I would like to see a lot more grain in here, a lot darker whites and get those cats out of the blanket please.
Also, I have to admit I don't get a sense of nude in here. Nud is not your subject. It's just one of the side effects.
On the other hand, comparing to other shots in teh challenge, this is so much better then the most. And as a pic with no relation to the challenge, I think it's nice.
An interesting take on a bold duotone image. I'm not sure what the story behind the photo is supposed to be though. Is it a night with a new lover, or is it just a hangover? He's holding his head and it gives a sense of negative energy. Possibly regret? I think the shot is well composed and it has a lot of appeal. I would have liked to see more detail in his leg, but that's about the only bad thing I have to say. One of my top 5. 8
Good composition, crop, and use of light. I'm deciding if he's holding his head from a hangover -or- if he's holding his head from a hangover plus the realization of the person he's found in his bed. Unless those are pillows. Either way I like this photo, well done.
I like the composition. His leg is quite blown out which is too bad. It's also hard to tell if there is supposed to be someone under the covers or not. I see mass, but I don't see a head.
Great comp. Like the sepia tones here. Lighting on the model seems a bit burned out on the arms, leg and sholder. Great all around photo though. Hope you're doing well.
I've actually grown to like this shot a bit more, I think the sepia does not do well for the image, and I think that using a harsher white might have done better.
I know that feeling. Hope the party was good.
Image tells a very good story, extra points for that. I also like the colour. Feeling a little green, lol.
Light on the legg is a bit over exposed
I like the clarity of this image and the sepia tone works well. However some of the highlights are blown particularly on the arm and leg of the model. Overall good image with a clear message.
My boyfriend and I really talked about his photo and I realized I had just shared a conversation based on your work. It really tells a story and does a great job doing it. Emotion and simplicity... awesome.
I really like this picture alot. THe composition is dead on and it's an overall insightful picture. Only thing I would change is the blanket in the way...I would have had the curve of his butt showing as well...still a great pic though...10!
I love the color cast in this shot. If the title was referring to the morning after a single wild night with someone else, then maybe folding the covers back on the other side of the bed could signal they had bolted early in the morning. Good tonal range.
you normaly see the girl in that position. Interesting to see the tablles turned.
Not a very big fan of the green cast. A sepia or even a blue might have done better. The daylight is also a little harsh on the model. The set up is nice, but you might have needed to draw the curtains a little to ease off the sunlight a bit.
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