My favourite among the "car keys" shots. I remember my similar moment only too well ... a woman ran into the back of dad's car at a stoplight! This is a nice composition, perfect DOF for the purpose. Good job. 8
Nice concept. This is a very unusual point of view. I love the texture of the hand and of the denim. It's great to see the car, but I'm finding the headlight just a little overpowering. I've tried looking at it with all the headlight cropped out fully and half of it cropped out, and I think I agree that its existence is necessary to set up a kind of visual tension that parallels the tension of the 'dad' in the title: still, I think if it were half gone the tension would still be there. Love to know what you think.
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