The movement blur is real, taken with me rotating during a 1/20s exposure.
Then I shot the cyclist from the same spot. I just wish I'd had the sense not to shoot it into the light at f/0.95 - this old lens doesn't do so well in those conditions.
I then overlaid one shot on the other (at a high opacity, 96%) and used a layer mask to bring the cyclist out.
Final colour management done in Analogue Efex Pro 2
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