Dead center, eyes attracting eyes, and to my unsophisticated eyes, the peripheral vision is pleasing, blur and stone and textures, slick stone, and as an added bonus, people and movement in the sweet spot. Well done and congrats on the HM.
The obvious part is that it so loudly rings one of the central bells of street photography, which is that people can be seen by a camera in a way that differs from how an actual eye witness would have seen them. She wasn't standing there looking goofy for ten minutes: it was only for a fraction of a second. And you wouldn't have seen it yourself if you hadn't been holding a camera with mischief in mind (your mind, not the camera's).
The less obvious part is that as well as being good street, it's also most excellent photography. The composition, the theatrical orchestration of the tonal blocks, and the technical camera stuff like exposure in particular, are all exemplary. 9. Thank you.
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